Iolanthe is a comic opera with music by Arthur Sullivan and a libretto by W. S. Gilbert. First performed in 1882 as the seventh Gilbert and Sullivan operatic collaboration, it tells the story of Iolanthe, a fairy banished from fairyland because she married a mortal. Her son Strephon, half a fairy, loves Phyllis, whom all the members of the House of Peers wish to marry. Phyllis sees Strephon embracing Iolanthe (as fairies never age, she appears to be seventeen) and assumes that he is unfaithful, not realizing that Iolanthe is his mother, setting off a climactic confrontation between the peers and the fairies. The opera satirises many aspects of British government, law and society. Iolanthe was the first new theatre production in the world to be illuminated entirely by electric lights. It premiered at the Savoy Theatre and ran there for 398 performances, with a simultaneous production in New York. It is still played throughout the English-speaking world and beyond. This poster by H. M. Brock was produced for an early-20th-century tour production of Iolanthe by the D'Oyly Carte Opera Company.Poster credit: H. M. Brock; restored by Adam Cuerden
... that the government used military trucks and bulldozers to rescue people from a tropical storm?
... that Milan A. P. Harminc, the consul-general of the Slovak Republic in London, broke with his government at the outbreak of World War II and sided with the Allies?
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It is so terribly sad that I have to explain that the above is a JOKE
If you can keep your head when all about you
Are losing theirs and blaming it on you,
If you can trust yourself when all men doubt you
But make allowance for their doubting too,
If you can wait and not be tired by waiting,
Or being lied about, don't deal in lies,
Or being hated, don't give way to hating,
And yet don't look too good, nor talk too wise:
If you can dream--and not make dreams your master,
If you can think--and not make thoughts your aim;
If you can meet with Triumph and Disaster
And treat those two impostors just the same;
If you can bear to hear the truth you've spoken
Twisted by knaves to make a trap for fools,
Or watch the things you gave your life to, broken,
And stoop and build 'em up with worn-out tools:
If you can make one heap of all your winnings
And risk it all on one turn of pitch-and-toss,
And lose, and start again at your beginnings
And never breath a word about your loss;
If you can force your heart and nerve and sinew
To serve your turn long after they are gone,
And so hold on when there is nothing in you
Except the Will which says to them: "Hold on!"
If you can talk with crowds and keep your virtue,
Or walk with kings--nor lose the common touch,
If neither foes nor loving friends can hurt you;
If all men count with you, but none too much,
If you can fill the unforgiving minute
With sixty seconds' worth of distance run,
Yours is the Earth and everything that's in it,
And--which is more--you'll be a Man, my son!
For unique design and interesting content, I present you with this Excellent User Page Award. –Frater5(talk/con) 16:12, 29 May 2006 (UTC)
